Watch a recording of the program HERE. Courtesy of ISSUE Project Room: Videography by Meg McDermott.

In partnership with ISSUE Project Room, Smack Mellon is pleased to present All Your Sojourns Have Led to This (Continuum), the next commissioned work in interdisciplinary artist and 2023 ISSUE Artist-In-Residence Jean Carla Rodea’s ongoing project. The work will premiere at Smack Mellon’s space in Dumbo, Brooklyn.

Notes from Jean Carla Rodea on All Your Sojourns Have Led to This (Continuum):

After establishing methodologies of invisibility, opacity, and disappearance as ways of not being seen or recognized, All Your Sojourns Have Led to This (Continuum) moves toward a framework of hauntology that seeks to bring to light apparitions that continue to exert a powerful influence on our present reality. This involves a deep engagement with the material traces of the past, such as monuments, archives, and personal narratives, as well as an attentiveness to the more intangible aspects of haunting, such as the emotions and affective resonances that can arise when confronting complex legacies. Through the potential of the body, voice, image, and sound, I accept the embodied past as a force that is never entirely gone and can continue to shape our lives unexpectedly.

I am interested in what happens vocally, sonically, and visually when one is present yet unseen. I often consider these concepts as I explore filming and recording natural elements that manifest as sound, video, and performance later in the process. During my year-long residency, All Your Sojourns Have Led to This takes different forms and incorporates diverse media (works for voice and electronics, sound installation, and video/projection mapping) while exploring invisibility as a portal for strategies of resistance.

My work is informed by shifting and adaptable identities, immigration, ritual, performance, ecology, construction work, improvisation, and interaction with and through time-based media in diverse spaces. I’m interested in creating art that questions critical sociopolitical issues such as the politics of the body, gender, and the asymmetry of human relations. I’m invested in understanding how time is insistently constructed through memory and how these memories, whether embodied or recorded in spaces, are documented and re/constructed through the body’s physical and vocal potential.

Whether it takes place in my (personal) archive or an institution, archival research often leads me to draw from fiction and speculative history around documents, physical traces, and spaces. A particular area of interest is how these robust processes can interrupt and make space for fictional dimensions that can disrupt and subvert the norm. By interacting with the archive, performative roles are present. Often I am a witness, a mere observer, an ethnographer, or a researcher registering and transmitting as much as possible from an event in a temporary Space.

BIO:

Jean Carla Rodea (b. in Mexico City) is a research-based interdisciplinary artist and educator. Her/their work involves a variety of disciplines and mediums such as music, sound, poetry, vocal performance and performance art, photography, video, movement, and sculpture. Her/their artistic practice deals with spaces and instances where problematic socio-political and cultural constructs are rendered visible through multimedia installations and performances. As a musician and improviser, Jean Carla is dedicated to performing and composing various music/sound in diverse settings–from solo to large ensembles. She/they have performed and recorded with William Parker, Darius Jones’ vocal quartet Elizabeth-Caroline Unit, Gerald Cleaver’s Uncle June, Anthony Braxton’s Syntactical Ghost Trance Music Choir, and Cecilia Lopez’s Machinic Fantasies. In addition, she/they lead her/their multi-media projects; Buscando a Marina/Looking for Marina, and Nine Easy Steps Toward Oblivion. Jean Carla has worked with Asiya Wadud, Jo Wood-Brown, Patricia Nicholson, Art Jones, Miriam Parker, rebeca medina, Merche Blasco, Amirtha Kidambi, Rachel Bersen, etc. They/she has performed extensively and shown work at Roulette Intermedium, Carnegie Hall, BRIC, Knockdown Center, Judson Church, Danspace, Center for Performance Research, Panoply Lab, The Clemente, FiveMyles, mh PROJECT nyc, to mention a few.

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Image Credit: Photo: Jean Carla Rodea by Cameron Kelly McLeod

Press Contact: Nick Scavo,

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Founded in 2003, ISSUE Project Room is a pioneering nonprofit performance center, presenting projects by interdisciplinary artists that expand the boundaries of artistic practice and stimulate critical dialogue in the broader community. ISSUE serves as a leading cultural incubator, facilitating the commission and premiere of innovative new works.

ISSUE Project Room’s Artist-in-Residence program is made possible, in part, with support from the National Endowment for the Arts, public funds from the New York City Department of Cultural Affairs in partnership with the City Council, and with the support of the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.